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16 <h1>A Not So Fancy Listing of Books</h1>
17 <div class="contents">
18<dl>
19<dt>
54a817d4 20<a href="#sec1">William Blake</a>
023ad63c 21</dt>
22<dd>
23<dl>
24<dt>
54a817d4 25<a href="#sec2">The Four Zoas</a>
26</dt>
27<dt>
28<a href="#sec3">Jerusalem</a>
023ad63c 29</dt>
30</dl>
31</dd>
32<dt>
54a817d4 33<a href="#sec4">Kahlil Gibran</a>
023ad63c 34</dt>
35<dd>
36<dl>
37<dt>
54a817d4 38<a href="#sec5">A Tear and a Smile</a>
023ad63c 39</dt>
40<dt>
54a817d4 41<a href="#sec6">The Prophet</a>
023ad63c 42</dt>
023ad63c 43<dt>
54a817d4 44<a href="#sec7">Sand and Foam</a>
023ad63c 45</dt>
023ad63c 46<dt>
54a817d4 47<a href="#sec8">The Madman</a>
023ad63c 48</dt>
49</dl>
50</dd>
51<dt>
54a817d4 52<a href="#sec9">John Taylor Gatto</a>
023ad63c 53</dt>
54<dd>
55<dl>
56<dt>
54a817d4 57<a href="#sec10">Underground History of American Education</a>
023ad63c 58</dt>
59</dl>
60</dd>
61<dt>
54a817d4 62<a href="#sec11">Luke Rhinehardt</a>
023ad63c 63</dt>
64<dd>
65<dl>
66<dt>
54a817d4 67<a href="#sec12">The Dice Man</a>
5e4e370e 68</dt>
69</dl>
70</dd>
71<dt>
54a817d4 72<a href="#sec13">Neal Stephenson</a>
5e4e370e 73</dt>
74<dd>
75<dl>
76<dt>
54a817d4 77<a href="#sec14">Snow Crash</a>
78</dt>
79<dt>
80<a href="#sec15">Cryptonomicon</a>
5e4e370e 81</dt>
023ad63c 82</dl>
83</dd>
84<dt>
54a817d4 85<a href="#sec16">Marcus Aurelius</a>
023ad63c 86</dt>
87<dd>
88<dl>
89<dt>
54a817d4 90<a href="#sec17">Meditations</a>
023ad63c 91</dt>
92</dl>
93</dd>
94<dt>
54a817d4 95<a href="#sec18">Søren Kierkegaard</a>
023ad63c 96</dt>
97<dd>
98<dl>
99<dt>
54a817d4 100<a href="#sec19">Sickness Unto Death</a>
023ad63c 101</dt>
102<dt>
54a817d4 103<a href="#sec20">Either/Or</a>
023ad63c 104</dt>
105</dl>
106</dd>
107<dt>
54a817d4 108<a href="#sec21">Thomas More</a>
023ad63c 109</dt>
110<dd>
111<dl>
112<dt>
54a817d4 113<a href="#sec22">Utopia</a>
023ad63c 114</dt>
115</dl>
116</dd>
117<dt>
54a817d4 118<a href="#sec23">William James</a>
023ad63c 119</dt>
120<dd>
121<dl>
122<dt>
54a817d4 123<a href="#sec24">The Varieties of Religious Experience</a>
124</dt>
125<dt>
126<a href="#sec25">The PhD Octopus</a>
04cda6d1 127</dt>
54a817d4 128</dl>
129</dd>
04cda6d1 130<dt>
54a817d4 131<a href="#sec26">Henry James</a>
023ad63c 132</dt>
54a817d4 133<dd>
134<dl>
b61362db 135<dt>
54a817d4 136<a href="#sec27">The Altar of the Dead</a>
b61362db 137</dt>
023ad63c 138</dl>
139</dd>
140<dt>
54a817d4 141<a href="#sec28">Gregor Kiczales</a>
023ad63c 142</dt>
143<dd>
144<dl>
145<dt>
54a817d4 146<a href="#sec29">The Art of the Metaobject Protocol</a>
023ad63c 147</dt>
04cda6d1 148</dl>
149</dd>
023ad63c 150<dt>
54a817d4 151<a href="#sec30">Friedrich Nietzsche</a>
04cda6d1 152</dt>
153<dd>
154<dl>
155<dt>
54a817d4 156<a href="#sec31">Beyond Good and Evil</a>
157</dt>
158<dt>
159<a href="#sec32">On the Geneaology of Morals</a>
04cda6d1 160</dt>
161<dt>
54a817d4 162<a href="#sec33">Ecce Homo</a>
023ad63c 163</dt>
164</dl>
165</dd>
166</dl>
167</div>
168
169
170<!-- Page published by Emacs Muse begins here --><h2><a name="sec1" id="sec1"></a>
023ad63c 171William Blake</h2>
172
92ffc65b 173<p class="first">Blake is my <a href="William%20Blake.html">favorite</a> of the English poets. His
174unique use of relief etching and watercoloring makes for very
175interesting Illuminated works. There is a very high quality
54a817d4 176<a href="http://blakearchive.org">complete archive of Blake&amp;#039;s works</a> online
023ad63c 177with high resolution plate scans and full transcriptions among other
178things.</p>
179
54a817d4 180<h3><a name="sec2" id="sec2"></a>
023ad63c 181The Four Zoas</h3>
182
54a817d4 183<p><em>Rating:</em> <span class="rating-good">••••••••••</span></span><span class="rating-bad"> / <em>Fiction</em></p>
023ad63c 184
54a817d4 185<p>The unfinished manuscript of Blake&amp;#039;s longest apocalypse. The
023ad63c 186Four Zoas divide from Albion and rage through the ages of dismal woe
187to bring about the end of the cycle of Ulro and restore the cycle of
188Beulah.</p>
189
190
023ad63c 191
54a817d4 192<h3><a name="sec3" id="sec3"></a>
193Jerusalem</h3>
023ad63c 194
54a817d4 195<p><em>Rating:</em> <span class="rating-good">••••••••••</span></span><span class="rating-bad"> / <em>Fiction</em></p>
023ad63c 196
54a817d4 197<p>The finest of Blake&amp;#039;s Illuminated works.</p>
023ad63c 198
023ad63c 199
023ad63c 200
023ad63c 201
54a817d4 202<h2><a name="sec4" id="sec4"></a>
023ad63c 203Kahlil Gibran</h2>
204
205<p class="first">Kahlil Gibran is fairly interesting; his earlier works do not
206agree with my æsthetic sense (blah blah), but <em>The Madman</em> onward are
207all rather nice. A few of his works are
208<a href="http://leb.net/~mira/">online</a>, but I recommend scouting used book
209stores for old hardcover editions. The (late 90s onward at least)
210<em>hardcover</em> versions from <em>Alfred A. Knopf</em> are in fact permabound
211paperbacks with a hardcasing, and are of seriously inferior quality to
212the editions from the 50s and 60s (and cost quite a bit more,
213naturally).</p>
214
54a817d4 215<h3><a name="sec5" id="sec5"></a>
023ad63c 216A Tear and a Smile</h3>
217
54a817d4 218<p><em>Rating:</em> <span class="rating-good">•••</span><span class="rating-bad">•••••••</span> / <em>Fiction</em></p>
023ad63c 219
54a817d4 220<p>One of Kahlil Gibran&amp;#039;s earlier works, I did not much like <em>A
221Tear and a Smile</em> excepting the last poem (&amp;quot;A Poet&amp;#039;s Voice&amp;quot;).</p>
023ad63c 222
223
54a817d4 224
225<h3><a name="sec6" id="sec6"></a>
023ad63c 226The Prophet</h3>
227
54a817d4 228<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> / <em>Fiction</em></p>
229
023ad63c 230
231
232
233
54a817d4 234<h3><a name="sec7" id="sec7"></a>
023ad63c 235Sand and Foam</h3>
236
54a817d4 237<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> / <em>Fiction</em></p>
023ad63c 238
239<p>An interesting little book of aphorisms.</p>
240
241
54a817d4 242
243<h3><a name="sec8" id="sec8"></a>
023ad63c 244The Madman</h3>
245
54a817d4 246<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> / <em>Fiction</em></p>
023ad63c 247
248
249
250
251
023ad63c 252
54a817d4 253<h2><a name="sec9" id="sec9"></a>
254John Taylor Gatto</h2>
023ad63c 255
54a817d4 256<p class="first">Former teacher and now author-activist.</p>
023ad63c 257
54a817d4 258<h3><a name="sec10" id="sec10"></a>
259Underground History of American Education</h3>
023ad63c 260
54a817d4 261<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> / <em>Nonfiction</em></p>
023ad63c 262
54a817d4 263<p>An interesting <em>underground</em> history of the American education
264system. Available
265<a href="http://www.johntaylorgatto.com/underground/">online for free</a>.</p>
023ad63c 266
267
5e4e370e 268
5e4e370e 269
54a817d4 270<h2><a name="sec11" id="sec11"></a>
271Luke Rhinehardt</h2>
5e4e370e 272
b61362db 273
5e4e370e 274
54a817d4 275<h3><a name="sec12" id="sec12"></a>
276The Dice Man</h3>
5e4e370e 277
54a817d4 278<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> / <em>Fiction</em></p>
5e4e370e 279
54a817d4 280<p>&amp;lt;quote&amp;gt;
281And it&amp;#039;s his illusions about what
282constitutes the real world which are
283inhibiting him...
284His reality, his reason, his society
285...these are what must be destroyed
286&amp;lt;/quote&amp;gt;</p>
5e4e370e 287
54a817d4 288<p>A quotation from one of my <a href="http://en.wikipedia.org/wiki/Slaughter_of_the_Soul">favorite metal songs</a> inspired me to grab
289this book; at worst it would be a waste of time. Much reward was found
290in this random stab in the dark. The book is framed as an
291autobiography of the author as a psychoanalyst, and his progression
292through life as a Dice Man after deciding to live his life through
293random chance.</p>
023ad63c 294
54a817d4 295<p>The style, plot, and content are equally neurotic; part comedy, part
296attack on psychoanalysis, and part deep philosophy. It was often
297difficult to put down, and was read in under a week of spare time.</p>
5e4e370e 298
5e4e370e 299
5e4e370e 300
301
54a817d4 302<h2><a name="sec13" id="sec13"></a>
303Neal Stephenson</h2>
5e4e370e 304
023ad63c 305
306
54a817d4 307<h3><a name="sec14" id="sec14"></a>
308Snow Crash</h3>
023ad63c 309
54a817d4 310<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> / <em>Fiction</em></p>
023ad63c 311
54a817d4 312<p>As one must read the <em>Bible</em> to understand English literature, so one
313must read <em>Snow Crash</em> today to be a nerd. In the realm of modern pop
314fiction this is one of the better books I&amp;#039;ve read; it was devoured in
315a mere four nights. Neal Stepheson may not be Milton, but he does come
316up with enganging tales. <em>Snow Crash</em> has a nice undertone of (quite
317accurate) political and social commentary that makes it worth reading
318as more than mere cyberpunk fiction.</p>
023ad63c 319
023ad63c 320
321
54a817d4 322<h3><a name="sec15" id="sec15"></a>
323Cryptonomicon</h3>
324
325<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> / <em>Fiction</em></p>
326
327<p>I read <em>Cryptonomicon</em> when it was new, and at the time I thought it was
328good. It could have lost a hundred or so pages without detracting from
329the plot, but it was easy reading and didn&amp;#039;t take very long to
330finish. The story was enganging, and the continual switching between
331the 1940s and present day slowly unravelled the tale in a nice way.</p>
332
333<p>I&amp;#039;d still have to recommend <em>Snow Crash</em> if one wished to read only one
334Stephenson novel.</p>
335
023ad63c 336
54a817d4 337
338
339<h2><a name="sec16" id="sec16"></a>
340Marcus Aurelius</h2>
341
342
343
344<h3><a name="sec17" id="sec17"></a>
345Meditations</h3>
346
347<p><em>Rating:</em> <span class="rating-good">••••••</span><span class="rating-bad">••••</span> / <em>Nonfiction</em></p>
348
349<p>I enjoyed reading this collection of meditations on Stoic
350philosophy. It is a fairly quick read; I read each of the twelve books
351before sleeping over the course of two weeks. Toward the end of the
352collection things get a bit topically repetetive (e.g. acting
353according to the nature of man is reflected upon over and over), but
354each repetition looks at the topic in a slightly different light. A
355number of passages I found quite inspiring, and scratched them down in
356my notebook to ponder further.</p>
357
358
359
360
361<h2><a name="sec18" id="sec18"></a>
023ad63c 362Søren Kierkegaard</h2>
363
364<p class="first">Kierkegaard was a master of style and philosophy; his writing is
365interesting even if one finds the theistic extentialism espoused
366disagreeable.</p>
367
54a817d4 368<h3><a name="sec19" id="sec19"></a>
023ad63c 369Sickness Unto Death</h3>
370
54a817d4 371<p><em>Rating:</em> <span class="rating-good">••••••••••</span></span><span class="rating-bad"> / <em>Nonfiction</em></p>
023ad63c 372
373<p>I purchased this when I was looking through books at a store after
374being unable to find the book I really wanted, and I must say that it
375was better for me to have found this one.</p>
376
377<p>Contained within is a beautiful analysis of despair in the context of
378Christianity (really theism in general). Even if the argument offends,
379the presentation cannot. The dialectical nature of despair is
380reflected in every aspect of the work, and the method of presentation
381forces reflection.</p>
382
383
54a817d4 384
385<h3><a name="sec20" id="sec20"></a>
023ad63c 386Either/Or</h3>
387
54a817d4 388<p><em>Rating:</em> <span class="rating-good">••••••••••</span></span><span class="rating-bad"> / <em>Nonfiction</em></p>
023ad63c 389
390<p>Composed of two portions, <em>Either/Or</em> is a rather lengthy but
391rewarding read. The first book is a series of essays and a diary of a
392young esthetician; the second is a pair of long letters from an older
393ethicist friend to this esthetician. You are then left to resolve the
394conflict between the views.</p>
395
396
397
54a817d4 398
399<h2><a name="sec21" id="sec21"></a>
023ad63c 400Thomas More</h2>
401
402
403
54a817d4 404<h3><a name="sec22" id="sec22"></a>
023ad63c 405Utopia</h3>
406
54a817d4 407<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> / <em>Fiction</em></p>
023ad63c 408
409<p>I read most of Utopia in high school with the TI-89 ebook reader, but
410the way the book was split up made it a bit difficult to grasp the
411overall structure. I found a copy at a used book store one day, and so
412I read it again, and found it much more comprehensible. It is a quick
413read, and decent piece of literature. The interesting social system
414espoused resembles resembles state communism (even if perhaps as a
415negative ideal), but with an strange blend of 14th century European
416social customs.</p>
417
418
419
04cda6d1 420
54a817d4 421<h2><a name="sec23" id="sec23"></a>
422William James</h2>
04cda6d1 423
04cda6d1 424
04cda6d1 425
54a817d4 426<h3><a name="sec24" id="sec24"></a>
427The Varieties of Religious Experience</h3>
04cda6d1 428
54a817d4 429<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> / <em>Nonfiction</em></p>
04cda6d1 430
54a817d4 431<p><a href="William%20James%20-%20The%20Varieties%20of%20Religious%20Experience.html">A partially finished extended summary</a></p>
04cda6d1 432
04cda6d1 433
04cda6d1 434
54a817d4 435<h3><a name="sec25" id="sec25"></a>
436The PhD Octopus</h3>
04cda6d1 437
54a817d4 438<blockquote>
439<p class="quoted">/ <em>Nonfiction</em></p>
440</blockquote>
b61362db 441
54a817d4 442<p>&amp;lt;quote&amp;gt;
443America is thus as a nation rapidly drifting towards a state of things
444in which no man of science or letters will be accounted respectable
445unless some kind of badge or diploma is stamped upon him, and in which
446bare personality will be a mark of outcast estate. It seems to me high
447time to rouse ourselves to consciousness, and to cast a critical eye
448upon this decidedly grotesque tendency. Other nations suffer terribly
449from the Mandarin disease. Are we doomed to suffer like the rest?
450&amp;lt;/quote&amp;gt;</p>
b61362db 451
54a817d4 452<p><a href="William%20James%20-%20The%20PhD%20Octopus.html">Full Text</a></p>
b61362db 453
454
04cda6d1 455
023ad63c 456
54a817d4 457<h2><a name="sec26" id="sec26"></a>
458Henry James</h2>
023ad63c 459
54a817d4 460<p class="first">The novelist brother of William James; I&amp;#039;ve not read many (read:
461one) of his books, but what I did was decent.</p>
023ad63c 462
54a817d4 463<h3><a name="sec27" id="sec27"></a>
464The Altar of the Dead</h3>
023ad63c 465
54a817d4 466<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> / <em>Fiction</em></p>
023ad63c 467
54a817d4 468<p>A short novella about a man who maintained an altar in a church
469for all of his lost loved ones on the surface, but something a bit
470more beneath.</p>
023ad63c 471
023ad63c 472
023ad63c 473
023ad63c 474
54a817d4 475<h2><a name="sec28" id="sec28"></a>
476Gregor Kiczales</h2>
023ad63c 477
478
54a817d4 479
480<h3><a name="sec29" id="sec29"></a>
481The Art of the Metaobject Protocol</h3>
482
483<p><em>Rating:</em> <span class="rating-good">••••••••••</span></span><span class="rating-bad"> / <em>Nonfiction</em></p>
484
485<p>AMOP is useful as a reference to the CLOS MOP (although less so with
486the online MOP spec), but the true value of the book lies in the first
487half of the book. It presents the design of the CLOS MOP through a
488series of revisions that fix limitations of earlier implementations
489and gradually work toward a generic and well designed MOP for
490CLOS. Through that process one is made more aware of a few general
491object protocol design skills, and gains insight into how to cleanly
492make mapping decisions customizable.</p>
493
494
495
496
497<h2><a name="sec30" id="sec30"></a>
498Friedrich Nietzsche</h2>
499
500<p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em>
501counterpart to Kierkegaard&amp;#039;s theistic philosophy. Nietzsche&amp;#039;s
502polemical works raise important questions for anyone who reads works
503on ethics. As such it is a shame that he has gotten a bad reputation
504by being read by far too many angsty teenagers who see (and relay)
505only Nietzsche the asshole rather than Nietzsche the master of the
506polemic.</p>
507
508<h3><a name="sec31" id="sec31"></a>
509Beyond Good and Evil</h3>
510
511<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> / <em>Nonfiction</em></p>
512
513<p>A somewhat more comprehensible, if a bit less aesthetically
514pleasing, presentation of much of the philosophy found in <em>Thus Spoke
515Zarathustra</em> in the negative form. The final chapters are very
516important (not to detract from the value of the rest of the work) if
517one wishes to understand <em>On the Genealogy of Morals</em>.</p>
023ad63c 518
519
520
b61362db 521<h3><a name="sec32" id="sec32"></a>
54a817d4 522On the Geneaology of Morals</h3>
023ad63c 523
54a817d4 524<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> / <em>Nonfiction</em></p>
023ad63c 525
54a817d4 526<p><em>On the Geneaology of Morals</em> is a wonderful book of three
527polemical essays on the origin of moral/ethic valuations, and the
528blindness of modern philosphers whose very thinking is tainted by
529these valuations unknowingly.</p>
023ad63c 530
531
023ad63c 532
54a817d4 533<h3><a name="sec33" id="sec33"></a>
534Ecce Homo</h3>
023ad63c 535
54a817d4 536<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> / <em>Nonfiction</em></p>
023ad63c 537
54a817d4 538<p><em>Ecce Homo</em> is Nietzsche&amp;#039;s very strange autobiography and
539explanation of his own works. At points it is clear that it could have
540used a bit more editing (prevented by Nietzsche ... falling into a
541catatonic state and all), but is still a very useful book to read as
542Nietzsche explains the overall structure of his works.</p>
023ad63c 543
544
545
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54a817d4 572<p class="cke-footer">Jessie: i stuck the phone antenna up the dogs nose and he ignored me
023ad63c 573</p>
574<p class="cke-timestamp">Last Modified:
54a817d4 575 September 28, 2008</p>
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